kompleksno A jednostavno
Sveučilište Algebra Bernays
Address
Ilica 85
Working hours
Utorak
19:00 – 23:00 sati
Program
At Algebra Bernays University, design is not taught as a collection of tools and technologies, but as a way of thinking, questioning and learning through mistakes. The starting point is simple: every visual problem, however complex it may initially appear, ultimately requires a clearly defined objective and a precise way of communicating it.
The study programme is built around a constant dialogue between analogue and digital practice. Drawing, gesture, composition, harmony and contrast meet contemporary technologies and tools, combining sensitivity to form with the possibilities of new media. The programme continuously adapts to changes within the profession and the wider social and technological context, not for the sake of change itself, but to ensure that design education remains relevant.
Teachers and students alike question what it means to be a designer today, which forms of knowledge remain fundamental, and how they can be passed on to future generations. Students therefore learn not only how to use current tools, but how to develop a deeper understanding of design principles that can remain with them throughout their careers.
From this stable foundation, future designers emerge ready to respond to new problems, technologies and circumstances – always returning to one essential question: what is the objective, and how can it be communicated clearly?
Institution
At Algebra Bernays University, design is not taught as a collection of tools and technologies, but as a way of thinking, questioning and learning through mistakes. The starting point is simple: every visual problem, however complex it may initially appear, ultimately requires a clearly defined objective and a precise way of communicating it.
The study programme is built around a constant dialogue between analogue and digital practice. Drawing, gesture, composition, harmony and contrast meet contemporary technologies and tools, combining sensitivity to form with the possibilities of new media. The programme continuously adapts to changes within the profession and the wider social and technological context, not for the sake of change itself, but to ensure that design education remains relevant.
Teachers and students alike question what it means to be a designer today, which forms of knowledge remain fundamental, and how they can be passed on to future generations. Students therefore learn not only how to use current tools, but how to develop a deeper understanding of design principles that can remain with them throughout their careers.
From this stable foundation, future designers emerge ready to respond to new problems, technologies and circumstances – always returning to one essential question: what is the objective, and how can it be communicated clearly?
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