Social Innovation Design

Laura Frühmesser

Spatial Skin

Project

“Spatial Skin” explores self-regulation in situations where space cannot be controlled or chosen. The author, as a student with a mental illness living in a shared flat, rarely finds places for retreat, especially in public. Everyday situations such as crowded streets, sensory overload, or unexpected triggers quickly become overwhelming, raising the question of where to find the necessary space if none is available.

This experience led to a simple conclusion: if space cannot be found, the solution is to carry one's own.

Instead of designing a room, this undergraduate project explores the ability to create mental and physical space through a wearable structure that transfers spatial qualities to the body. The project acts as a personal infrastructure for self-regulation, while also critiquing the neglected psychosocial aspects of public spaces.

Ultimately, an intimate dialogue is established between the user and the structural skin.

The textile technology in “Spatial Skin” consists of self-developed, 3D-printed, interwoven folding mechanisms, hand-crafted and sewn. It conforms to and adapts to the organic forms of the human body, while retaining its geometry. The mechanism expands and contracts when mechanical force is applied.

Year

2026

Mentors and collaborators

Anab Jain, MA, University Professor (mentor)
Nikolas Heep, Dipl.-Ing., Senior Artist (co-mentor)
Stefan Zinell, MA, Senior Artist (co-mentor)
Ronja-Elina-Kappl (photography)

Institution

University of Applied Arts Vienna

Author

Laura Frühmesser is an Austrian interdisciplinary designer and artist whose practice explores the behaviour of materials as a medium for human experience. She works in the fields of industrial design, spatial installations and moving images.

Her work fluidly moves between functional products and speculative objects, exploring how materials can mediate relationships between body, space, and emotion. Rooted in hands-on prototyping and technical precision, her practice combines industrial production methods with artistic research, translating complex structural principles into tactile experiences.

She is currently completing her Master’s degree in Design Investigations at the University of Applied Arts Vienna.

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